Ajout de l'uchronie Germania
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\newpage
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%%%%% Prénoms %%%%
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% Le texte
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\og Et au fil des discussions, dès qu’il s’agissait de se rappeler des moments agréables de notre enfance, les souvenirs des moments passés au Bois du petit château refirent souvent surface. {[}\dots{]} Ce fut un moment agréable et nous avons donc décider de faire notre projet sur le bois du petit château. \fg
|
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@ -1151,6 +1151,50 @@ Chaque enclos est départagé, si l’enclos rouge central est d’une seule cou
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\newpage
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%%%%% Guim et Paul %%%%
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% Le texte
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\section{Germania 2024}
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\subsection*{Guim et Paul}
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\begin{multicols}{3}
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\og Petit avertissement, ce projet n’a en aucun cas comme but de glorifier l’idéologie nazie. Le but en est purement historique, et fait office d’exercice de transposition temporelle. D’ailleurs, la majorité des textes est satirique et vise plus à dénoncer qu’à soutenir.
|
||||
|
||||
Étant deux grands amateurs d’histoire et passionnés par l’histoire des nations, dès le début du projet d’informatique il était évident pour nous que celui-ci aurait un rapport avec l’histoire. C’est là qu’est rentrée en compte ma passion pour l’uchronie que j’ai fait découvrir à Paul qui a tout de suite été séduit. Commençons par expliquer en quoi consiste celle-ci~:
|
||||
|
||||
L’uchronie est un genre fictionnel qui se base sur la réécriture de l’histoire en y changeant un ou plusieurs paramètres et évènements. \fg
|
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|
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\medskip
|
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\og Germania est la ville que Adolf Hitler avait imaginé bâtir à partir de Berlin pour glorifier le Reich allemand et sa culture. Après la défaite en 1945 de l’Allemagne nazi le projet à bien évidemment été abandonné mais Hitler l’ayant pris très à cœur, nous avons des sources qui nous permettent de nous donner une idée sur ce à quoi elle aurait pu ressembler. Une maquette ayant été construite par l’architecte du projet, nous avons même une idée de la forme et de l’utilité de certains bâtiments. Après cela nous nous sommes attelés à écrire l’univers de notre monde où l’Allemagne nazie a vaincu les Alliés et le Kominterm lors de la seconde Guerre mondiale scénario compliqué à mettre en place vu son manque de vraisemblabilité. \fg{}
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\medskip
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\og Revenons à notre question principale : comment faire transparaître notre univers dans la carte d’une ville ? Après de grands débats, nous avons décidé de le faire à travers les
|
||||
bâtiments et les lieux choisis en racontant leur fonction et leur histoire. Nous avons donc décidé de nous pencher sur la possibilité de faire une carte interactive. {[}\dots{]}
|
||||
|
||||
Comme susmentionné, la véracité historique n’est pas
|
||||
systématiquement optimale. Tout d’abord à cause du manque de temps pour creuser nos
|
||||
sources historiques mais aussi pour quelques écarts, tantôt d’imagination tantôt purement
|
||||
d’amusement qui ne nuise pas à la véracité globale mais qui évidemment le font à une plus
|
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petite échelle. Un ajout de difficulté supplémentaires et que nous ayons décidé de
|
||||
représenter Germania dans un monde actuel, 2024. {[}\dots {]}
|
||||
|
||||
il a été très difficile de trouver sur le net une carte de Germania, plusieurs heures ont été investies simplement dans la recherche d’une image correspondante. Ensuite il a fallu vérifier la fiabilité de l’image en se renseignant sur son auteur, Sampsa Rydmann, un cartographe Finlandais. {[}\dots {]}
|
||||
|
||||
Malgré l’aspect un peu sportif de la mise à bout du projet, et le manque de temps qui nous a empêché de faire un cliquable pour chaque élément de la carte, nous avons eu un franc plaisir lors de la réalisation. \fg{}
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\newpage
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% La carte
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%%%%% Lenny et Léo %%%%
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% Le texte
|
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|
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@ -1118,11 +1118,11 @@ qui est esthétiquement belle. En effet, pour créer une carte, nous avons à di
|
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% Le texte
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\section{titre}
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\section{Zoo du p’tit cartographe}
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\subsection*{Lucas et Valentin}
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\begin{multicols}{3}
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\og Et au fil des discussions, dès qu’il s’agissait de se rappeler des moments agréables de notre enfance, les souvenirs des moments passés au Bois du petit château refirent souvent surface. {[}\dots{]} Ce fut un moment agréable et nous avons donc décider de faire notre projet sur le bois du petit château. \fg
|
||||
|
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@ -1151,6 +1151,50 @@ Chaque enclos est départagé, si l’enclos rouge central est d’une seule cou
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%%%%% Guim et Paul %%%%
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% Le texte
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\section{Germania 2024}
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\subsection*{Guim et Paul}
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\begin{multicols}{3}
|
||||
\og Petit avertissement, ce projet n’a en aucun cas comme but de glorifier l’idéologie nazie. Le but en est purement historique, et fait office d’exercice de transposition temporelle. D’ailleurs, la majorité des textes est satirique et vise plus à dénoncer qu’à soutenir.
|
||||
|
||||
Étant deux grands amateurs d’histoire et passionnés par l’histoire des nations, dès le début du projet d’informatique DF il était évident pour nous que celui-ci aurait un rapport avec l’histoire. C’est là qu’est rentrée en compte ma passion pour l’uchronie que j’ai fait découvrir à Paul qui a tout de suite été séduit. Commençons par expliquer en quoi consiste celle-ci~:
|
||||
|
||||
L’uchronie est un genre fictionnel qui se base sur la réécriture de l’histoire en y changeant un ou plusieurs paramètres et évènements. \fg
|
||||
|
||||
\medskip
|
||||
\og Germania est la ville que Adolf Hitler avait imaginé bâtir à partir de Berlin pour glorifier le Reich allemand et sa culture. Après la défaite en 1945 de l’Allemagne nazi le projet à bien évidemment été abandonné mais Hitler l’ayant pris très à cœur, nous avons des sources qui nous permettent de nous donner une idée sur ce à quoi elle aurait pu ressembler. Une maquette ayant été construite par l’architecte du projet, nous avons même une idée de la forme et de l’utilité de certains bâtiments. Après cela nous nous sommes attelés à écrire l’univers de notre monde où l’Allemagne nazie a vaincu les Alliés et le Kominterm lors de la seconde Guerre mondiale scénario compliqué à mettre en place vu son manque de vraisemblabilité. \fg{}
|
||||
|
||||
\rule{0.32\textwidth}{0.1mm}
|
||||
|
||||
\medskip
|
||||
|
||||
\og Revenons à notre question principale : comment faire transparaître notre univers dans la carte d’une ville ? Après de grands débats, nous avons décidé de le faire à travers les
|
||||
bâtiments et les lieux choisis en racontant leur fonction et leur histoire. Nous avons donc décidé de nous pencher sur la possibilité de faire une carte interactive. {[}\dots{]}
|
||||
|
||||
Comme susmentionné, la véracité historique n’est pas
|
||||
systématiquement optimale. Tout d’abord à cause du manque de temps pour creuser nos
|
||||
sources historiques mais aussi pour quelques écarts, tantôt d’imagination tantôt purement
|
||||
d’amusement qui ne nuise pas à la véracité globale mais qui évidemment le font à une plus
|
||||
petite échelle. Un ajout de difficulté supplémentaires et que nous ayons décidé de
|
||||
représenter Germania dans un monde actuel, 2024. {[}\dots {]}
|
||||
|
||||
il a été très difficile de trouver sur le net une carte de Germania, plusieurs heures ont été investies simplement dans la recherche d’une image correspondante. Ensuite il a fallu vérifier la fiabilité de l’image en se renseignant sur son auteur, Sampsa Rydmann, un cartographe Finlandais. {[}\dots {]}
|
||||
|
||||
Malgré l’aspect un peu sportif de la mise à bout du projet, et le manque de temps qui nous a empêché de faire un cliquable pour chaque élément de la carte, nous avons eu un franc plaisir lors de la réalisation. \fg{}
|
||||
|
||||
\end{multicols}
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|
||||
\newpage
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% La carte
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%%%%% Lenny et Léo %%%%
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% Le texte
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@ -1526,6 +1570,18 @@ Il nous semble qu’un approfondissement sur les possibilités d’aménagement
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|
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|
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93
main.toc
93
main.toc
@ -39,49 +39,50 @@
|
||||
\contentsline {section}{\numberline {2.26}Carte de l’Empire romain et de la République romaine}{60}{section.2.26}%
|
||||
\contentsline {section}{\numberline {2.27}Paris en 6 jours}{64}{section.2.27}%
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||||
\contentsline {section}{\numberline {2.28}Île}{66}{section.2.28}%
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||||
\contentsline {section}{\numberline {2.29}titre}{68}{section.2.29}%
|
||||
\contentsline {section}{\numberline {2.30}Carte thermique sur le prix des loyers parisiens}{70}{section.2.30}%
|
||||
\contentsline {section}{\numberline {2.31}Manhattan en 3D}{72}{section.2.31}%
|
||||
\contentsline {section}{\numberline {2.32}Restaurants d’une zone de la Chaux-de-Fonds}{74}{section.2.32}%
|
||||
\contentsline {section}{\numberline {2.33}Carte des funiculaires de Suisse}{76}{section.2.33}%
|
||||
\contentsline {section}{\numberline {2.34}Carte des loisirs}{78}{section.2.34}%
|
||||
\contentsline {section}{\numberline {2.35}Films en Suisse}{80}{section.2.35}%
|
||||
\contentsline {section}{\numberline {2.36}La Chaux-de-Fonds dans l’avenir}{82}{section.2.36}%
|
||||
\contentsline {chapter}{\numberline {3}Développements}{85}{chapter.3}%
|
||||
\contentsline {section}{\numberline {3.1}Investissement}{85}{section.3.1}%
|
||||
\contentsline {section}{\numberline {3.2}Connaissances}{86}{section.3.2}%
|
||||
\contentsline {subsection}{\numberline {3.2.1}Cartographiques}{87}{subsection.3.2.1}%
|
||||
\contentsline {subsection}{\numberline {3.2.2}Informatiques}{87}{subsection.3.2.2}%
|
||||
\contentsline {chapter}{\numberline {4}Conclusion}{91}{chapter.4}%
|
||||
\contentsline {section}{\numberline {4.1}Évolution}{91}{section.4.1}%
|
||||
\contentsline {section}{\numberline {4.2}Conclusion}{92}{section.4.2}%
|
||||
\contentsline {chapter}{\numberline {A}Leaflet}{93}{appendix.A}%
|
||||
\contentsline {section}{\numberline {A.1}Structure}{94}{section.A.1}%
|
||||
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|
||||
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|
||||
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|
||||
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|
||||
\contentsline {subsection}{\numberline {A.3.4}Mouvement}{103}{subsection.A.3.4}%
|
||||
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|
||||
\contentsline {subsection}{\numberline {A.3.6}Grands cercles}{106}{subsection.A.3.6}%
|
||||
\contentsline {section}{\numberline {A.4}Conclusion}{107}{section.A.4}%
|
||||
\contentsline {chapter}{\numberline {B}Xia et Map Wraper}{109}{appendix.B}%
|
||||
\contentsline {section}{\numberline {B.1}Xia}{109}{section.B.1}%
|
||||
\contentsline {subsection}{\numberline {B.1.1}Installation}{110}{subsection.B.1.1}%
|
||||
\contentsline {subsection}{\numberline {B.1.2}Utilisation}{110}{subsection.B.1.2}%
|
||||
\contentsline {subsection}{\numberline {B.1.3}Techniquement}{111}{subsection.B.1.3}%
|
||||
\contentsline {section}{\numberline {B.2}Map Wraper}{114}{section.B.2}%
|
||||
\contentsline {chapter}{\numberline {C}La projection de Mercator}{117}{appendix.C}%
|
||||
\contentsline {section}{\numberline {C.1}Équirectangulaire}{117}{section.C.1}%
|
||||
\contentsline {section}{\numberline {C.2}Mercator}{118}{section.C.2}%
|
||||
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|
||||
\contentsline {subsection}{\numberline {C.2.2}Mathématiquement}{119}{subsection.C.2.2}%
|
||||
\contentsline {section}{\numberline {C.3}Indicatrice}{121}{section.C.3}%
|
||||
\contentsline {chapter}{Bibliographie}{123}{appendix*.157}%
|
||||
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|
||||
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|
||||
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|
||||
\contentsline {section}{\numberline {2.30}Germania 2024}{70}{section.2.30}%
|
||||
\contentsline {section}{\numberline {2.31}Carte thermique sur le prix des loyers parisiens}{72}{section.2.31}%
|
||||
\contentsline {section}{\numberline {2.32}Manhattan en 3D}{74}{section.2.32}%
|
||||
\contentsline {section}{\numberline {2.33}Restaurants d’une zone de la Chaux-de-Fonds}{76}{section.2.33}%
|
||||
\contentsline {section}{\numberline {2.34}Carte des funiculaires de Suisse}{78}{section.2.34}%
|
||||
\contentsline {section}{\numberline {2.35}Carte des loisirs}{80}{section.2.35}%
|
||||
\contentsline {section}{\numberline {2.36}Films en Suisse}{82}{section.2.36}%
|
||||
\contentsline {section}{\numberline {2.37}La Chaux-de-Fonds dans l’avenir}{84}{section.2.37}%
|
||||
\contentsline {chapter}{\numberline {3}Développements}{87}{chapter.3}%
|
||||
\contentsline {section}{\numberline {3.1}Investissement}{87}{section.3.1}%
|
||||
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|
||||
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|
||||
\contentsline {subsection}{\numberline {3.2.2}Informatiques}{89}{subsection.3.2.2}%
|
||||
\contentsline {chapter}{\numberline {4}Conclusion}{93}{chapter.4}%
|
||||
\contentsline {section}{\numberline {4.1}Évolution}{93}{section.4.1}%
|
||||
\contentsline {section}{\numberline {4.2}Conclusion}{94}{section.4.2}%
|
||||
\contentsline {chapter}{\numberline {A}Leaflet}{95}{appendix.A}%
|
||||
\contentsline {section}{\numberline {A.1}Structure}{96}{section.A.1}%
|
||||
\contentsline {section}{\numberline {A.2}Marqueurs}{97}{section.A.2}%
|
||||
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|
||||
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|
||||
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||||
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|
||||
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|
||||
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|
||||
\contentsline {subsection}{\numberline {A.3.3}Forme}{101}{subsection.A.3.3}%
|
||||
\contentsline {subsection}{\numberline {A.3.4}Mouvement}{105}{subsection.A.3.4}%
|
||||
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|
||||
\contentsline {subsection}{\numberline {A.3.6}Grands cercles}{108}{subsection.A.3.6}%
|
||||
\contentsline {section}{\numberline {A.4}Conclusion}{109}{section.A.4}%
|
||||
\contentsline {chapter}{\numberline {B}Xia et Map Wraper}{111}{appendix.B}%
|
||||
\contentsline {section}{\numberline {B.1}Xia}{111}{section.B.1}%
|
||||
\contentsline {subsection}{\numberline {B.1.1}Installation}{112}{subsection.B.1.1}%
|
||||
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|
||||
\contentsline {subsection}{\numberline {B.1.3}Techniquement}{113}{subsection.B.1.3}%
|
||||
\contentsline {section}{\numberline {B.2}Map Wraper}{116}{section.B.2}%
|
||||
\contentsline {chapter}{\numberline {C}La projection de Mercator}{119}{appendix.C}%
|
||||
\contentsline {section}{\numberline {C.1}Équirectangulaire}{119}{section.C.1}%
|
||||
\contentsline {section}{\numberline {C.2}Mercator}{120}{section.C.2}%
|
||||
\contentsline {subsection}{\numberline {C.2.1}Loxodromie}{120}{subsection.C.2.1}%
|
||||
\contentsline {subsection}{\numberline {C.2.2}Mathématiquement}{121}{subsection.C.2.2}%
|
||||
\contentsline {section}{\numberline {C.3}Indicatrice}{123}{section.C.3}%
|
||||
\contentsline {chapter}{Bibliographie}{125}{appendix*.160}%
|
||||
\contentsline {section}{Livres}{125}{section*.161}%
|
||||
\contentsline {section}{Ressources en ligne}{125}{section*.162}%
|
||||
|
||||
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Reference in New Issue
Block a user